Despite such difficult conditions he finally found a solution: AURYN, the gem, would provide a way out of Phantásia.

Wrapped in damp blankets, Michael Ende sat in his cold wet house and worked on The Neverending Story. Ice formed, a pipe cracked and water gushed into the house. Houses in Genzano weren’t designed to withstand such extremes, and Casa Liocorno soon succumbed. Snow fell in the Alban Hills and the temperature dropped to minus ten degrees. The winter of 1978 - 1979 was one of the coldest in living memory. In the end circumstances seemed to conspire against him. Unless Ende could find a way out of Phantásia, Bastian would be trapped inside. During conversations with his editor he sounded almost desperate - it was a matter of literary survival. Alarmed by the steep increase in production costs, Weitbrecht made his way back to Stuttgart.Įnde’s struggle to escape the world he had created became increasingly intense. Each of the twenty-six chapters would start with an ornamental initial illustrated by Roswitha Quadflieg. After much discussion publisher and author settled on a cloth-bound volume in two colours throughout.

What could be better suited to such a magical story than a leather volume inlaid with mother-of-pearl and complete with brass fasteners? Weitbrecht set off post-haste to Genzano. The book, he explained, required special presentation. Ende’s next announcement unsettled his publishers further. Young Bastian Bux had refused to leave Phantásia, and it was his duty as an author to follow him on his travels. The book, he told his editor, was not yet complete. Then in autumn 1978 Ende finally re-surfaced. In the course of 1978 Ende’s publishers heard very little from their author. The book would be somewhat longer than expected, but he fully expected it to be finished by autumn 1979. Before too long he was on the phone to his publisher, asking for an extension to the deadline. The subject-matter for the new book grew before Michael Ende’s eyes. He assumed the project would be straightforward, and privately wondered how he could stretch the material to fill a hundred pages. One of the sheets of paper bore the following summary: ‘A young boy picks up a book, finds himself literally inside the story and has trouble getting out.’ Once Weitbrecht had expressed his approval, Ende promised to deliver the manuscript by Christmas. As soon as the topic was broached, Michael Ende started rummaging through a shoebox and sifting through ideas. Like any good editor, Weitbrecht was intent on persuading his author to write a new book. It started in February 1977 with Hansjörg Weitbrecht’s visit to Genzano. The story of how Michael Ende came to write his most famous novel was almost neverending in itself.

The neverending story book series